I painted the backgrounds with white underglaze, as I had been doing, and everywhere I used it, it fired faulty. It wasn't a new batch, so it had fired fine in the past. I thought maybe I put the pots in the kiln to wet, but then it had a six-hour preheat the night before (the kiln that didn't fire), so moisture wasn't the issue. I'm conclusionless. I went to the clay store, chose the underglaze from the same brand as the glaze I'm using, and proceeded to the studio to test it.
Applying the new underglaze was like putting soft butter on warm homemade bread. Delightful. I'm careful to wait for the underglaze to dry before layering the glaze on, just to be safe. As I try to understand why this happened, slow is the way to go. My good friend "clay" isn't fond of rushing, so I'm being patient. I'll have new beautiful vases to show you next week.
You may be wondering why I'm sharing this with you. So many think that being an artist is fun. It is. But it's also challenging, perplexing, and frustrating. Sometimes you want to pull your hair out, but all you can do is try again.
Ceramics can be so complex that achieving glaze perfection is like performing magic.